Pevsner, the British travel writer -- by which I mean he travelled around Britain and wrote about it, not that he was British and travelled abroad writing about foreign places…although he was British…and he might even have travelled abroad and written about foreign places for all I know…look, you’ve either heard of him or you haven’t, so bear with me on this -- once described St. Michael’s Church (in St. Michael’s, of course) as: “A typical late mediaeval North Country church.”
Which shows what he knew, because it’s a damned sight earlier than late mediaeval.

In fact, St. Michael’s was the only church in the Wyre to be mentioned by name in William the Conqueror’s big fat ledger of ill-gotten gains the Domesday Book (although there are actually several other churches around the district referred to in brief…just not by name) making it early mediaeval rather than late.
The vicars’ board inside the church confirms this by listing its ministers all the way back to 1196, so it’s at least 800 years old, you see, and probably more.
Because of its long history you’d naturally expect to find plenty of relics in situ, so let’s start with the door on the north side of the chancel, which dates back to the Norman period, or about 1,000 years ago for anybody who doesn’t know about these things…quite a long time when you stop to consider it.

Imagine the history that arch has seen. The Wars of the Roses, Vikings, Cromwell fighting the Royalists, the Jacobites rampaging through the churchyard with their swords rattling and their kilts flying…or possibly none of those things, because St Michael’s is a bit of a quiet nook really when I stop to think about it. Nonetheless, it’s stood through all those various historic events, as well as the Spanish Armada, Henry VIII and his six wives, Agincourt et al…even if it didn’t witness them personally.
The pointed arch, regardless of Pevsner’s somewhat dismissive attitude, of course, is typical of early mediaeval/Norman architecture.
Tradition dictates that the site of the church is even older. Tradition generally does with these matters, although on this occasion it’s probably right.
One of the earliest remaining sections is the bricked-up lancet window near the front door. Like the leper’s squint at St. Helens this window was originally used to pass alms to lepers outside.

Let’s talk about lepers for a moment, because they’re always good for a laugh (so long as you don’t know any lepers personally, of course, in which case it’s not an amusing matter at all really). If the disease wasn’t horrific enough by itself, lepers throughout the Middle Ages were considered unclean by those more fortunate.
They were forced to wear distinguishing clothes, rattle clappers and carry bowls to warn people of their approach (a bit like football fans nowadays, with their distinctive football strips, clappers and KFC boxes…only not as menacing).
Originally healthy people pitied them, but, as the problem became more widespread, the church, with its usual tact, declared that leprosy was God’s punishment against sinners. Lepers soon fell into the same category as Jews, prostitutes, homosexuals and witches (all terrible affronts to decent human beings, I’m sure you’ll agree).
Naturally such an attitude only applied to peasant lepers, aristocratic lepers being regarded as martyrs.
Interestingly, perhaps, according to Father Martinus Cawley (no relation to Father Jack Hackett), civic authorities during the mediaeval era regarded lepers as ‘legally dead’ giving them (the civic authorities that is) free reign to confiscate lepers’ goods.
However, we’re digressing.
Returning to St. Michael’s church, another early relic is the piscina, which sits on the right of the altar, (its something you put holy water into, I believe, and not the vicar’s personal loo as the name might suggest) along with the pedestal found on the east wall which, apparently, once contained an effigy of Saint Michael himself (neither of which we have a photograph of).
Even some of the stained glass windows have a long-standing legacy. The roundel in the Butler Chapel, for example, is Flemish and dates from the sixteenth century. We haven’t got a photograph of that either, apparently, but I have drawn it up.

Typical of the Wyre’s farming heritage this romantic scene depicts a couple shearing sheep. (It could have been worse.) Documents inform us that the window was originally one of a set of three…although what became of the other two we couldn’t say.
At the bottom of the picture is the word Junius (meaning June), the month when shearing generally took place. It’s accompanied by a crayfish, which probably represents the astrological sign of Cancer (June 21st to July 22nd).
Another fragment of old glass found in the Butler Chapel depicts a shield and dates from the fourteenth century.
This article’s going on a bit longer than I thought it would. Time for a seven-day break to gather our meagre wits before part two.
Which shows what he knew, because it’s a damned sight earlier than late mediaeval.

In fact, St. Michael’s was the only church in the Wyre to be mentioned by name in William the Conqueror’s big fat ledger of ill-gotten gains the Domesday Book (although there are actually several other churches around the district referred to in brief…just not by name) making it early mediaeval rather than late.
The vicars’ board inside the church confirms this by listing its ministers all the way back to 1196, so it’s at least 800 years old, you see, and probably more.
Because of its long history you’d naturally expect to find plenty of relics in situ, so let’s start with the door on the north side of the chancel, which dates back to the Norman period, or about 1,000 years ago for anybody who doesn’t know about these things…quite a long time when you stop to consider it.

Imagine the history that arch has seen. The Wars of the Roses, Vikings, Cromwell fighting the Royalists, the Jacobites rampaging through the churchyard with their swords rattling and their kilts flying…or possibly none of those things, because St Michael’s is a bit of a quiet nook really when I stop to think about it. Nonetheless, it’s stood through all those various historic events, as well as the Spanish Armada, Henry VIII and his six wives, Agincourt et al…even if it didn’t witness them personally.
The pointed arch, regardless of Pevsner’s somewhat dismissive attitude, of course, is typical of early mediaeval/Norman architecture.
Tradition dictates that the site of the church is even older. Tradition generally does with these matters, although on this occasion it’s probably right.
One of the earliest remaining sections is the bricked-up lancet window near the front door. Like the leper’s squint at St. Helens this window was originally used to pass alms to lepers outside.

Let’s talk about lepers for a moment, because they’re always good for a laugh (so long as you don’t know any lepers personally, of course, in which case it’s not an amusing matter at all really). If the disease wasn’t horrific enough by itself, lepers throughout the Middle Ages were considered unclean by those more fortunate.
They were forced to wear distinguishing clothes, rattle clappers and carry bowls to warn people of their approach (a bit like football fans nowadays, with their distinctive football strips, clappers and KFC boxes…only not as menacing).
Originally healthy people pitied them, but, as the problem became more widespread, the church, with its usual tact, declared that leprosy was God’s punishment against sinners. Lepers soon fell into the same category as Jews, prostitutes, homosexuals and witches (all terrible affronts to decent human beings, I’m sure you’ll agree).
Naturally such an attitude only applied to peasant lepers, aristocratic lepers being regarded as martyrs.
Interestingly, perhaps, according to Father Martinus Cawley (no relation to Father Jack Hackett), civic authorities during the mediaeval era regarded lepers as ‘legally dead’ giving them (the civic authorities that is) free reign to confiscate lepers’ goods.
However, we’re digressing.
Returning to St. Michael’s church, another early relic is the piscina, which sits on the right of the altar, (its something you put holy water into, I believe, and not the vicar’s personal loo as the name might suggest) along with the pedestal found on the east wall which, apparently, once contained an effigy of Saint Michael himself (neither of which we have a photograph of).
Even some of the stained glass windows have a long-standing legacy. The roundel in the Butler Chapel, for example, is Flemish and dates from the sixteenth century. We haven’t got a photograph of that either, apparently, but I have drawn it up.

Typical of the Wyre’s farming heritage this romantic scene depicts a couple shearing sheep. (It could have been worse.) Documents inform us that the window was originally one of a set of three…although what became of the other two we couldn’t say.
At the bottom of the picture is the word Junius (meaning June), the month when shearing generally took place. It’s accompanied by a crayfish, which probably represents the astrological sign of Cancer (June 21st to July 22nd).
Another fragment of old glass found in the Butler Chapel depicts a shield and dates from the fourteenth century.
This article’s going on a bit longer than I thought it would. Time for a seven-day break to gather our meagre wits before part two.